The idea of the "Part 2" year shows, in what is still referred to as the "new format" even though we've been rocking it for two years and three seasons, is to look at key movies in that year and say: "Hey, there was some definite 80s influence there". And in 2012 we have a couple of proud examples of how that 80s mood was embraced and reflected upon 22 years after the 80s closed its doors and slung us all into the neon-lit, over-excited street carnival of the 90s.
And once we've mopped the rose-tinted tears of joy from our eyes over fascist future cops and ironic cabin zombies we can begin to cry a different way, because we then get to talk about Looper. Don't misunderstand, we know that many people really love Looper and think it's clever and amazing. Leo and Ian are not two of those people.
Indeed the glee with which Ian embraces the idea of working over a Rian Johnson movie is, maybe, a little unseemly. As his steel-toe capped commentary heaps in on the mishy-mashy time travel drivel you can hear him repeatedly whispering: "This is for Luke, you barstool." Or something like that.
Leo has less skin in that game but still, has to agree, a master storyteller Mr. Johnson ain't, and having now sat through the Levitt-Willis funtime shotgun hour (and a half) twice in order to confirm exactly how much he disliked it he's not letting it go this time. Anyway, the question may occur, why watch Looper and talk about it if you don't like it. Well, it where's it's wannabe Philip K Dick creds like some kind of badge of honour, when really it just reminds you how good Blade Runner etc. really were in comparison. Loops? Where we're going we don't like loops. Let us count the ways.
This episode uses an excerpt of Electrodomestico by The Coconut Monkeyrocket
Direct Link: https://archive.org/download/1342012thecabinofloopingdredd/134-2012-the-cabin-of-looping-dredd.mp3
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