Episode 128: Star Wars Is Screwed

Has it come to this? The 80s Kids have never done a Star Wars show before, and now they are doing one it's one about this... and things were looking so good a couple of years back. Round about the time of Rogue One the future of the galaxy far, far away (or the past as it was, a long time ago) looked rosy, the new owners of Lucasfilm were feeling their way into their new acquisition and appeared to be making many of the right noises.

A couple of movies later and it's all gone to pot, however. How could it all have gone so wrong? And is there anything to be done to fix matters?

The 80s Kids pull on their blancmange resistant shoes and wade into the mire of poor decision making and awkward problem-solving that has resulted in Star Wars being a thing that Star Wars fans are feeling it hard to care about any more. Oh, the misery! Oh, the sadness! Internet message boards are still full of posts that say: "Discovery doesn't feel like Star Trek but I'm watching it anyway" but equally are they full of "Star Wars still exists but I am finding it hard to give a crap". When we recorded Star Trek is Screwed little did we know that it's flashier cinematic rival would soon be in worse shape.

Let's send 80s Kids Season 3 into its slumber until Christmas with a consideration of how the whole business just appears to have gone, well, totally Jar Jar.

This episode uses Excerpts of John Bartmann's My Time Done Come, available on Bandcamp and used under a Creative Commons License

Direct Link: https://archive.org/download/305StarWarsIsScrewed/3-05-Star-Wars-is-Screwed.mp3

Episode 101: Victorian Action Detective and the Fate of the Dinosaurs

It's after midnight at the beardy discussion diner. The 100th party is over, Justin's eaten too much cake and passed out, so out come the weighty philosophical ideas. What's baking Leo's noodle this week is the twin dilemma that lurks between current copyright law and our digital ability to back up everything.

On the one hand it is sad that copyright material that is not cherished and preserved is lost forever, but creative things are lost all the time. Sure, for some reason we all know about Robin Hood the outlaw of Nottingham who robbed from the rich and gave to the poor but what about Melvin Tabard the Cheeky Bandito of Cleethorpes. He robbed from a variety of people, pooled the money and gave it back to them divided equally, also known as the Dutch Deliverer? We've all forgotten him, or I just made him up to illustrate a point.

The unfortunate fact is that since the mid-noughties it has become almost impossible to get rid of a cultural artifact that, at some point, was rendered into digital format. This sounds good in theory but when people en masse prefer to recycle old things in the form of franchises, sequels, prequels and works based on other works how do we ensure that artists continue to create new, far less popular things?

Ironically, copyright and its ridiculous terms has created, in addition to a sort of enforced forgetting, an enforced create something passably new situation. A work may be "heavily influenced" but it is, at least, its own thing.

Does this make copyright an unintentional hero fighting for the cause of novelty? Almost certainly. Is this new idea likely to be popular? Probably not, new things don't gain much traction in this day and age. Good job we have copyright to fence off huge swathes of intellectual property from lazy artists eh? Who's with me! See, that's what I thought. Not a popular idea. But just WAIT for the sequel! Incidental Music by incompetech.com

Direct Link: https://archive.org/download/101NostalgiaAinTWhatItUsedToBe/101%20-%20Nostalgia%20ain_t%20what%20it%20used%20to%20be.mp3